30 April 2008

Are they related? – part two

Donna Payne, art editor at Faber, has replied to Peter Collingridge, pointing out that the Faber Children’s Classics covers, designed by Pentagram, predate the Penguin Classics design by five years or so. Let’s just recall the basic Penguin Classics look, combining Futura Medium caps with Mrs Eaves Italic. Although the Penguin design transposes author and title, the configuration (line of caps; centred logo; line of caps, line of U&lc italic; all type centred) is remarkably similar.

So, just how many variants are possible in the presentation of series name, author and title? As an antidote, here is website praising Penguin UK’s designs (but panning Mother's Kafka covers).

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22 April 2008

Is typography more than typefaces?

I saw the following link to Michael Bierut’s interview with TheAltantic.com

I’m always hoping that a designer will use an opportunity like this to talk about something more that font choice, but when you are publicizing a book typeset in no fewer than 79 typefaces (Seventy-Nine Short Essays on Design) it's difficult not to reduce typography down to playing around with fonts.

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